References
Chapter1:Pastsounds
&ailsofthesoundoftheearlyuniversemaybefoup:。astrinia。edu~dmw8fBBA_webiml〉;thehistoryofacousticsisdetailedinDaytonceMiller,AalHistoryoftheSdtotheBeginnihtury(Ma,1935)a。Beyer,SoundsofOurTimes:TwoHundredYearsofAcoustiger,1999)。Furtherhistoricalmaterialisin:DavidHendy,Noise:AHumanHistoryofSoundandListening(ProfileBooks,2014)。TheacousticsofEpidaurusareexplaitp:。nature。news2007070319fullnews070319-16。html〉。ThemostreteditionofR。MurraySchafer’sclassisoundscapesisSoundscape:OurSonieuningoftheWorld(DestinyBooks,1994)。TheAttalimaterialisfromMarkM。Smith(ed。)HearingHistory:AReader(UyiaPress,2004)。Alain’sclassicwork(trainThom),isVillageBells:TheCultureoftheSeheuryFrentryside(biaUyPress,1998)。
‘simultaneouslyaphysientandaergthate’,EmilyThompson,TheSoundsodernity:ArchitecturalAcoustidtheCultureofListeninginAmeriITPress,2002),p。1。
Chapter2:Thenatureofsound
MostofthematerialheremaybefoundinTh,RichardF。Moore,andPaulA。Wheeler,TheSd(AddisonWesley,2001)andDanielR。Raichel,TheSdApplisofAcoustiger,2006)。MostculturalreferencesarefromJoheSoundStudiesReader(Routledge,2012)。
Chapter3:Soundsinharmony
MaterialfromthischapterisfromdTh,ThePhysiusistruments(Springer,2008),DahisisYourBrainonMusiderstandingaHumalanticBooks,2008),JohnPoorks:AListener’sGuidetoHarmony,Keys,BrokenChords,PerfectPitdtheSecretsofaGoodTuicularBooks,2010),aaylor,TheABGuidetoMusicTheory(OxfordUyPress,2013)。
Chapter4:Hearingsound
InformationinthischapterislargelyfromDavidHowardandJamieAngus,AcoustidPsychoacoustics(FocalPress,2000),LawrenceJ。Raphael,GloriaJ。Borden,andKatherineS。Harris,SpeecePrimer(Lippins&Wilkins,2003),WilliamYost,Fuals:AnIntrodu(BRILL,2013),andH。ZwidH。Fastl,Psychoacoustics:FadMer,2006)。TheBarthesmaterialisfromBruceR。Smith’sTheAcoustilaotheO-FaiversityofChicagoPress,2ion,1999)。
‘Myfeelingisthataure…’,BrandoicTerritories:SounddEverydayLife(,2010),p。xvi。
‘theridulationsofauditorymaterial…’,LaBelle,AcousticTerritories,p。xxi。
‘Souionalgeography…’,LaBelle,AcousticTerritories,p。xxv。
&iworldwidehearinglossarefromtheWorldHealthanization’s‘DeafnessandHearingLoss’factsheet(number300),UpdatedMarch2015。Itbefoundat〈ho。isheetsfs300en〉。
Chapter5:Eleid
TeologicaldetailsaretobefoundinGlenBallou,ElectroacousticDevices:MiesandLoudspeakers(FocalPress,2009),F。AltoandKenasterHandbookofAcoustics(TabEleics,2009)。Thisbook,ayFries,DigitalAudioEssentials(O’ReillyMedia,2005),alsuidaoricalmaterialisfrMilingSouoryofReusita,2elatt,TheFabulousPhonograph,1877–1977(Cassell,2ion,1977)。
&heeffectssonperformanRobertPhilip,PerfMusitheAge(YaleUyPress,2004)andMarkKatz,gSound:HowTeologyHasgedMusic(iaUyPress,2010)。
‘theMP3carrieswithinitpradphilosophiderstandings。。。’,JonathaheMeaningransmission)(DukeUyPress,2012),p。2。
Chapter6:Ultrasoundandinfrasound
MaterialfromthischapterisfromVivienGibbs,UltrasoundPhysidTeology:Hohen(ChurchillLivingstone,2009),DaleEnsmingerandLeonardJ。Bond,Ultrasonidamentals,Teologies,andApplis(CRCPress,2011),TimLeightoicBubble(AcademicPress,1994),andGillianSalesandDavidPye,Ultrasoniunials(&Hall,1974)。The2015batstudyreferredtointhischapterisPavelKoual。,‘BatsAdjusttheirMouthGapetoZoomtheirBiosonarFieldofView’,ProgsoftheNationalAcademyofSces2015,Vol。112,No。21,pp。6724–9。
Chapter7:Souerandunderground
MostteologidphysicsmaterialisfromXavierLurton,AnIntrodutoUidApplis(SpringerPraxisBooks,2010),M。A。Ainslie,PrinciplesofSonarPerformanceModelling(SpringerPraxisPublishing,2010),aJ。UriciplesofUerSound(PeninsulaPublishing,2013)。BiologitisfromW。J。Ri,C。R。GreeneJr,C。I。Malme,andD。H。Thomson,MarineMammalsandNoise(AcademicPress,1995)。HistoricalmaterialisfromRobertT。Beyer,SoundsofOurTimes:TwoHundredYearsofAcoustiger,1999)。
Chapter8:Soundoutofplace
MostmaterialisfromMikeGoldsmith,Discord:TheStoryofNoise(OxfordUyPress,2012)。CulturalreferencesarefromSmithandKarinBijsterveld,Meid:Teology,Culture,andPublisofweury(MITPress,2008)。
‘iPoduseusefullybeied…’,MichaelBull,‘iPod:APersonalizedSoundWorldforitsers’,Revistaunicar,2010,Vol。XVII,No。34,pp。55–63。
OliverSacks’asisfromhisbookMusicophilia(Picador,2011),p。47。
‘ithdrawiesoundscapes。。。wemakestraher’,JamesHendy,Noise:AHumanHistoryofSoundandListening(Profile,2013),p。331。