[65]AffeendationbasedohGopinathandJasoeusicalselfie’,inNicholasCooketal。(eds),TheCambridgeusiDigitalCulture(Cambridge:CambridgeUyPress,2019),89–118[96]。
[66]Geertz,Loowledge:Essaysihropology(NewYork:BasicBooks,1983),59。
[67]FasfromRafalZaborowski,‘HatsuneMikuaualidols’,ieleyandSharaRambarraheOxfordHandbookofMusidVirtuality(NewYork:OxfordUyPress,2016),111–28[123]。
[68]FiheHiddenMusis:Musigiown,2nded:WesleyayPress,2007)。
[69]Cook,‘Videocultures:“BohemianRhapsody”,Wayne’sWorld,andbeyond’,inJoshuaWalden(ed。),RepresentatioernMusic(Cambridge:CambridgeUyPress,2013),79–99。
[70]WELL:Hold,TheVirtualueadironitier(Reading,MA:Addison-Wesley,1993)。
[71]Jenkins,ceCulture:WhereOldandNewMediaewYork:NewYorkUyPress,2006);Jenkins’sgrandmother:Jeal。,ParticipatoryaworkedEra(Cambridge:PolityPress,2016),7–8。
[72]Turino,MusicasSocialLife:ThePoliticsofParti(ChiiversityofChicagoPress,2008)。
[73]Shifman,MemesinDigitalCulture(Cambridge,MA:MITPress,2014)。
[74]Ri,AnEyeforMusiusidtheAudiovisualSurreal(NewYork:OxfordUyPress,2011),171。
[75]Jeal。,SpreadableMedia:gValueandMeaniworkedewYork:NewYorkUy,2013)。
[76]Rollahoven(London:KeganPaul,1919),47。
[77]FiguresforNapsterusersfromMichaelGowan,‘RequiemforNapster’,Pay2002;formusidustrylitigationfromMarkKatz,gSound:HowTeologyhasgedMusic(Berkeley:UyofiaPress,2004),176aawomaopay$222,000inmusicpiracycase’,Rolliember2012。Lessig,Remix:MakingArtahriveintheHybridEy(London:Bloomsbury,2008),114;Jenkinsquotedfreure,163–4。
[78]Banderspayiheodds:SellingFAQ‘risbest?’。
[79]Spotify’spledge(fromits2015mediakit):EriusicasateologyofsurveillanaloftheSoeriMusic123(2018),233–67[258]。Rheingoldquoted,TheVirtualunity,297。
第五章 全球化世界中的音乐
[8aHarieider,AHistoryofJapaneseMusi:OxfordUyPress,1973),457。EighteeuryCalcutta:RaymondHead,‘CalusiginIndiadurihauries’,EarlyMusic134(1985),548–53;IanWoodfield,MusicoftheRaj:ASodEiusiLateEighteeuryAnglo-Indiay(Oxford:OxfordUyPress,2000)。
[81]MozartandHaydn:KarlGeiringer,JosephHaydiveLifeinMusi(Berkeley:UyofiaPress,1982),98。
[82]Rioicle:L’écho,3October1827,quotediohroughtheoperati1820sRiodeJaneiro’,ierMdPriyashaMukhopadhyay(eds),Apire(NewYork:OxfordUyPress,f);thaonforpermissioranslation。Bowdichquoted(discussedbyJamesDaviesihesamebook)fromThomasBowditCapeCoastCastletoAshantee(London:JohnMurray1819),451。BhabhaquotedfromJonathahethirdspaterviewwithHomiBhabha’,inJonathanRutherford(ed。),Identity:unity,Culture,Differen:La;Wishart,1998),207–21[208]。
[83]Powell:Rolf,‘ArhapsodicHeartofDarkness:JohnPosodiehe262(2001),79–90aerFeder,‘U:ThesomaticacousticsofracialdifferehesymphonicmusiPowell’,BlackMusicResearal281(2008),17–56。
[84]TikeTaane:Wilson,‘TikiTaahStringsAttached:AliveaedandpostialidentitypolitiewZealand’,inTinaRamnarine(ed。),GlobalOrchestras(NewYork:OxfordUyPress,2018),245–60[248]。
[85]Erhuperformance:IamdrawingonJonathanStock,MusicalCreativityiurya:Abing,hisMusiditsgMeanier,erUyPress,1996)。
[86]Takemitsu,‘usi’,Perspeusic272(1989),198–204[199]。
[87]ListialbandsbyetalArchives;downloads,Keviushitcashrecord:$1。5billiouneeril2019。
[88]Agawu,RepresentingAfriMusic:Postotes,Queries,Positions(NewYe,2003),6。
[89]Weltmusik:Bj?rmusikandtheglobalizationofnewmusiHeile(ed。),TheMacy:EssaysonNewMusiham:Ashgate,2009),101–21;SbergonthesupremaanmusisHei,ArnoldSberg:HisLife,WorldandWork(London:Calder,1977),277。
[90]Chou,‘Easta,oldandnew’,AsianMusic11(1968–9),19–22,and‘AsiaiusiHarriso(ed。),NewMusitheOriesKnupf,1991),177–87[177]。
[91]Scottquoted:‘usicology’,inElaial。(eds),gtheNationalintheMusicalPast(Le,2018),17–30[18–19]。
[92]Dalyquotedi,TheMusicoftheOther:NewgesforEthnomusiaGlobalAge(Aldershot:Ashgate,2007),55。
[93]Tolkien,TheLords(London:Harpers,1994),564。
[94]Horkheimer,CriticalTheory:SelectedEssays(NewYork:,1982),244。
[95]Singinggpeople’slives,ishandchipshops:eBithell,ADifferentVoice,aDifferentSong(NewYork:OxfordUyPress,2014),14,20。
[96]Leadingarticle,‘Barenboim’sharmoniousmessagegoesbeyondclassicalmusic’,TheGuardian,30April2006,critiquedbyRachelBecklesWillson,‘TheparallaxworldsoftheWest-EasternDivara’,JournaloftheRoyalMusicalAsso1342(2009),319–47。
[97]Davies,MusigahaY:iversityPress,1994),326。